Example of polyphonic music8/3/2023 Why do we feel such an urge to join the rhythmic music with rhythmic movements of our body, finger clicking and stomping? Why are the audiences at the classical music concerts sitting in a total silence and cannot even clap between the parts of the symphony, whereas at rock music concerts audiences are free to clap, sing and shout even during the performance? Why do we ask so many questions to small babies and pets, who can not answer them? Why are most of European traditional polyphonic traditions located among mountain ranges? These and many more questions are asked (sometimes for the first time) and fresh and often unexpected answers are given. A group of Azeri women migrated from Karabakh sang in a specific polyphonic mode taking example from the Azerbaijani Mugham 'court' music. In the second example, I present one of my recordings from 1999. Here, similarly to other Turkish Sufi communities, polyphony can be observed only in the bağlama (long-necked lute) accompaniment. Because dedes usually serve on a larger area and are in connection with and learn from each other, the religious repertoire of the Tahtaji communities living far from each other is very similar. The music of the religious zikr ceremony of the Turkish Sufi Tahtaji communities is played by the dede (father) or by the zakir (music specialist). In my paper, I will show a few examples of this phenomenon based on my 25-years Asian research. In some cases, however, art music affects the folk trad ition and we may discover traces of polyphony. However, one can find a common feature: their melodic world does not favor multipart music. How's that for complicated? It sounds really great though, when composed and performed properly.The folk music of the Turkic peoples is quite varied, and the relationship between their music is basically different as compared to the relationship between their languages. Polyphonic texture is when you have two or more voices playing independently of each other, with different rhythms, melodies, and harmonies, yet in a complimentary way. Some people would simplify this down into "harmony", but polyphonic texture is different than that. There are a lot of technical aspects of polyphonic music too, like polyphonic texture, for instance. It really does have a very fascinating history, which you did a good job of tying in to this article. I recently became interested in learning more about the history of polyphonic music after a friend turned me on to Gregorian chant and music. "The center of polyphonic music in Europe after 1150 was."Īny music buffs out there who can help me out? Homework question for you all - I've got a fill in the blank question: I will say, heterophony is certainly an acquired taste, but one well worth cultivating. However, it's so rarely used that heterophony sounds "weird" to most Westerners when they first hear it. This is much more common in Asian music, especially Japanese Gagaku and traditional Thai and Filipino music, but some Western composers do make use of it. This is the kind of sound where you have two voices (or more) doing a simultaneous variation on a melody line. Another interesting contrast to polyphony is heterophony, or heterophonic texture.
0 Comments
Leave a Reply.AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |